When I picked up Yaa Gyasi’s Homegoing, a striking narrative of the Transatlantic Slave trade and its generational effects on one Gold Coast family and its journey from West Africa to America, I mulled over the title and wondered above all things why its title was placed in gerund form. After considering it for aContinue reading “Returning – 'The Return’ in ‘Year of the Return’”
This article is authored by Naomi Schalit and first appeared on the Conversation Blog. I reposted here because thematically, misrepresentation touches the African ( my area of interest ) as much as other minorities in their treatment under the Western lens as is portrayed by the author in this article. To read click here.
The Burial of Kojo debuted on Netflix in April and combines magical realism and realistic depictions of Ghanaian society to tell the story of a girl that journeys between two spaces to save her father from giving up the ghost. The narrative voice in the movie which narrates from opening to end of the movieContinue reading “The Burial of Kojo Movie as a Window into some of Ghana’s Pertinent Issues”
But in the aftermath of the tragedy, many Western media outlets reported the news with unevenly rationed compassion. Some stoked unfounded suspicions about the caliber of the airline itself. Others stripped their reporting of emphasis on Africa almost entirely, framing the tragedy chiefly in terms of its impact on non-African passengers and organizations.
This post acknowledges other relationship types but stays within heterosexual relationships for the purpose of this post. Whether we’ve ever copulated, intertwined, fucked or quite colloquially rolled in the sack, no matter the number of times, the act and its frequency simply do not translate into an automatic go-ahead that whoever is welcome without myContinue reading “Should the Conversation surrounding Consent be Culturally Packaged?”