In fast-paced texts that darted from phone to phone, Marina invited me to a talk that she thought I was going to be interested in. Yaa Gyasi was speaking at the University of Michigan and Marina thought I had to be there. I’d read and reviewed Homegoing and I was more than ready to sit through a conversation with the author. In between inviting me and both of us nursing the hope that my schedule would not be too crazy in the quarter of 2018, Marina asked me about Southern African literature and if I’d read a lot of it. I’d not read much. However, NoViolet Bulawayo’s We Need New Names and J.M Coetzee’s Disgrace were books I knew I was going to reference and recommend for many years to come. Our conversation advanced and Marina suggested I read Gaile Parkin’s Baking Cakes in Kigali. Days later, I screamed as I opened a birthday package from Afi. One of the books was Baking Cakes In Kigali!
The opening scenes of the novel present us Angel, a cake maker from Tanzania who lives in Kigali with her husband and grandchildren. Right from the very beginning of the novel, I get pleasantly surprised at how diverse the characters presented are. They are from Somalia, are Somali-Italian, from Kenya, Egypt, Britian, Uganda, Japan and the protagonist herself is from Tanzania; all of these characters are in Kigali for different reasons mostly professional. The novel gathers momentum with the subtle discussion of topics spanning serious topics such as the wrong perceptions surrounding feminism, stereotypes that different countries have about each other, the preference of male children over female children in some African communities and topics as banal as daily gossip erupting from the proximity of humans to each other. One of the scenes that left me laughing was one in which the object of gossip was referred to by a coded name only the gossips knew. The former’s secret name was CIA just because it was generally believed that contrary to the former’s claims to be working with an American organization, it was strongly believed that he was really working for the CIA. This act of code naming to facilitate gossip is so relatable and funny and adds that authentic feel to this endearing novel.
I stared at the paperback and suspected immediately that the name Nguyen in Vietnam must be as common as the name Mensah in Ghana. ‘Ngu…yen’ I slowly stressed each syllable while completely throwing away any remote knowledge of the uselessness of some letters in some French words. Studying French for years had taught me better. Also how these Frenchies are able to ignore whole letters in words without pronouncing them all while still physically maintaining the letters still baffles me.
Anyway, so I finally found out later from my Vietnamese colleague (whose last name is also coincidentally Nguyen and who agreed to write a part of this post) that the name Nguyen is actually pronounced /W3n/! How interesting.
Outside the use of the Vietnamese war as the backdrop of this novel, the narrative explores topical issues such as identity in the transnational space. This post will discuss identity in the novel and will lean on the perspectives of James Baldwin and Amin Maalouf to draw contrasts or similarities to the main narratives and issues presented in The Sympathizer. I’ll also have my Vietnamese colleague Mailé share about growing up Vietnamese in America.
Through the introduction of characters such as Ms. Mori, the General and Madame and the Crapulent major who names his twin babies Spinach and Brocolli, the narrator makes riveting commentary on identity in the transnational space.
Ms. Mori is American born and of Japanese heritage. She is criticised for her inability to speak Japanese and her personal choice to visit Paris versus Tokyo for holidays for example. She believes that how she is perceived in society’s eyes is flawed because deep within her, she identifies as American, Miss Sophia, the opinionated American who isn’t to be fucked with.
‘On the surface, I’m just plain old Ms. Mori, poor little thing who’s lost her roots, but underneath, I’m Sofia and you better not fuck with me’
The General is disillusioned at life in a foreign culture. He probably dwells on past glory to keep his already downcast disposition from taking an even steeper turn. He is forced into a life that bows down to his former prestige as General and finds himself wasting away until his wife explodes out of fatigue and anger at him for leaving all their responsibilities on her shoulders. He decides then to open a liquor store which gives him some kind of purpose in life, however in the midst of his life’s troubles, he remarks that
‘fair percentage collecting both welfare and dust, smoldering in the stale air of subsidized apartments as their testes shriveled day by day, consumed by the metastasizing cancer called assimilation.’
His wife madame, addition to dealing with domestic burdens has their young daughter Lana to deal with. Outside quickly realizing that in America, children talk back, Lana has acquired a taste for clothing that is distasteful to both her mother’s and culture’s expectations. Lana meanwhile has become more direct and less apologetic about the way she expresses her femininity.
The Crapulent major who names his children Spinach and Brocolli leaves room for questions surrounding the possible meaning or reason behind naming children vegetable names when he could as well have named them Vietnamese names.
if we, who can scarcely be considered a white nation, persist in thinking of ourselves as one, we condemn ourselves, with the truly white nations, to sterility and decay, whereas if we could accept ourselves as we are, we might bring new life to the Western achievements and transform them…
James Baldwin’s The Fire Next Time is a profound book that ponders race relations between black Americans and people of caucasian descent in America. James Baldwin also examines the role of the Negro in western society and touches on black identity and the importance of understanding and maintaining this ‘black identity’ in a transnational space that can be both confusing and potentially overwhelming.
Why I Love this Book
While very direct and fast-paced, the narration feels like a conversation. He uses the first person and leaves the narration with an overabundance of commas. These commas give the impression of hurried speech that continues without the general literary pause that manifests itself in a full stop. He candidly talks about his experience and observations on life and living it ‘black’, so to speak in a particular western society which is America. He makes references to societal structures which are designed to keep one race atop the other and also critiques religion and its role in the nigger’s depraved condition.
The Nigger’s Social Condition
Through the use of double negative structures, James Baldwin reveals the hopelessness surrounding the black man’s condition. He paints a picture of his childhood where ‘you were not expected to aspire to excellence: you were expected to make peace with mediocrity’. He makes it more than clear that the societal structure built to keep niggers at the bottom was not only oppressive but restrictive. One in which mere effort could not suffice to deliver niggers…..that ‘the social treatment accorded even the most successful negroes//something more than a bank account// to be free// (because) it was absolutely clear that the police would whip you and take you in as long as they could get away with it…’ (Happens police brutality against isn’t a reality of the 60’s only…)
Religion,…the bane maybe?
One can not miss the overt presence of Biblical allusions in the book. Words like ‘Sin’,’Pharoah’, ‘Church’, dot the book which makes it hard to not conclude that the author is likely trying to explore certain issues in that respect. James became a preacher and soon grew uncomfortable with the extortive world of Christendom. Basically how money is taken from congregations in the name of God. In addition, James notes that the reality of most churches is ‘blindness,loneliness, and terror’ instead of faith, hope, and charity’. He satirizes the church saying that ‘ there is ‘no drama like the drama of the saints rejoicing, the sinners moaning, the tambourines racing and all voices coming together and crying‘ yet in all this purging of emotion and the expression of genuine love for God, why did the white God ensure to let the blacks be ‘cast down so far?’ Needless to say, the Bible was written by white men. These contrasting ideas can help draw a subtle link with the manner in which colonialism was presented in Africa. Was it not with the Bible and was it not tagged mission work?
Finally, James mentions working as a preacher and compares being in the pulpit to being in the theatre. He was both behind and on the scene and knew ‘how the illusion worked’ including how to work on a congregation until ‘the last dime was surrendered‘ and knowledge of where the money for ‘the Lord’s work‘ went.
This book isn’t one of those books you read once. I think everyone should own a copy and refer to it as it is still very politically and socially relevant. I would say it is one of those books whose biting truth will occur and reoccur to you. Most importantly, it is okay to read a book and not fully grasp the depth of all it has to offer. Some books make sense only after years of reading them.
I saw a Tee shirt on Instagram that said NAH. Rosa Parks – 1955. I was greatly impressed at how pieces of history were gradually and steadily being integrated into popular culture. Maybe I was going to get this Tee shirt and probably also attempt to help artists or visual experts work or draw inspiration from the long and bitter struggle for freedom over the years both in Africa and America for the negro….
perfect segue for talking about how reading James Baldwin had had so much of an effect on me. His Fire Next Time was brimming over with double negative structures. I mean, the most apparent reason for the excessive use of this structure was remotely tied to the admittance of the hopelessness of the nigger’s situation…
The word independence in Africa and the word integration (in America) are almost equally meaningless; that is, Europe has not yet left Africa, and black men here are not yet free – James Baldwin
It was a double negative life for me the whole week. Dinner with my Botswana people was fun…but for some reason, I couldn’t shake off the analysis of the relationship dynamics between white and black people. We’d come far and I knew people were now more sensitized and maybe exonerated of all racial bias….but then, wasn’t the subtle slave master, dominant dominee (if you like ) relationship still present somewhere? even in the most subtle way?… So this happened to me.
Previous weeks ago, I had a misunderstanding with a peer over something as basic as filling a tub with water. The peer was white and I wondered if her ‘concern’ for how I filled the tub was due to anything linked to my lack of logic or simple common sense. I was livid. I wasn’t about to allow myself be micromanaged over something as basic as filling a tub with water. Had post-coloniality left me sensitive to the point of extreme cynicism?
Does familiarity breed contempt? No. Sometimes it breeds recklessness…and that is the amount of recklessness I felt these men were demonstrating. I thought I was way past the age of being in a crowded space with wine spills and incoherent speech….not that I have a problem with the concepts of wine spilling and incoherent speech. We’ve all been there. At least at one point in our lives. But then it was more about the lax and wanton grossness of it all. These men felt they knew us. So there was no need for any type of stiff-necked civility. Which irritated me very much. I think we need to ‘try’, like just fucking try to be civil no matter how long you think you’ve known a person. I remember that night on the phone when out of the need to hear his opinion on an unrelated topic I asked; do you think men take stuff for granted when they get to know you in a more intimate way? His answer was; I think humans have the potential of taking everything for granted once they get to know you. And I guess he was right. We all do take things for granted all the time.
I thought she was weird. The main question was, is she weird or just different? And I remember frowning a lot on many occasions when after nearly two years of friendship she would still come and ask me for permission to use my stuff. Cherie, you can have it. I would say, why ask? Just take it. In retrospect, I respect the fact that she asked. I guess familiarity did not ease her into the comfort of taking boundaries and space for granted which I appreciate now.
So the men wanted to dance…and just like any human that abuses familiarity, the general unmentioned consensus was to dance regardless of if we wanted to or not. An assertive dialogue broke out over this. He thought it was about feminism, and I was just ready to explode. An implosive fit that left me in awe of how refusing to dance is tied to feminism. I was in awe of how Feminism sounds like an accusation sometimes. Maybe I wanted to graduate this implosive fit to an explosive and exaggerated one but I knew better than to get involved with drunk pontificating men. Quite bluntly, I didn’t and don’t care much for feminism. Anything that ensures the sanity, respect and harmonious coexistence of the human race is what we all really want. I recommend everyone doing what floats their boat and if men and women choose to dance, or not dance, the recipient of that bit of info should be ok with it.
I’m up at 5am. I sleep off until 6 and then finally jump up at 7am. I’ve been checking my notifications by the hour. 5am notification about some random reply to a comment I made on a post on Facebook, 6am notification about someone getting married on my high school group chat and 7am notification about my dwindling credit score on credit karma. This country is cursed no doubt. You want to know what’s more painful than whatever pain you think you’ve gone through? Real pain is when you think you’re about to get richer. The money hits your account but then there’s a negative balance in there so the freshly dropped bucks go to cover the old debt. How nice.
All along, I’ve been navigating this life with a clustered mind full of to-dos. My heart is in one place and my mind is in another. Society teaches us not to give a fuck. Needless to say, books are being published on the Subtle art of not giving a fuck. I’ve watched this book’s Ted Talk and decided that it was a good one. I was probably going to get the book to learn more about assertiveness and being unapologetic, protecting one’s interests and emphasizing the need to be independent minded. There’s so much busi-ness around me. People are barely finding time to wipe their bums to the extent that it gets equally easy to dispose of people who stress the hell out of us. Sometimes we feel justified in letting go. Other times we feel bad and try to reach out but then we let life kick in, we allow real responsibilities or made up responsibilities pile up, and then we forget the mental note we made to reach out and rather remind ourselves to not bother. We’re independent, loveless, strong and maybe proud. Money over mushiness.
Months ago, my childhood best friend and I had a misunderstanding over something trivial. She got upset and I decided to give her some space. I missed her along the line, took my phone on many occasions to text her but very much aware of how the act might make me look weak, I chose my busy world instead.
Today she texted me, and defenseless, I texted her back. I missed you.
I was told that I was going to get some cake with some strawberries. Strawberries with an S… I had the cake and all I literally had was a strawberry.
I had to admit that though old, this man had a sense of humor that was both annoying and endearing at the same time. In addition to that, he made me dread being tall. What was the use of being tall when eventually, time’s winged chariot would cause our back to bend?! Almost every other tall senior I knew had a bent back. My friend’s grandmother from elementary school had a dangerous stoop that forced me to think of a tree after a storm. Branches bent, stalk bent, leaves all drooping and downward facing. It felt like time eventually taught us, tall people, a lesson or two about the kind of conceit that comes with height. We look at short people with this kind of I’m taller than you look. We strut about confidently and expect life to bow to us because we are tall. How tall are you? We are quick to fill in the blanks…and then when we meet a taller person than we are, we somehow stay on the brinks of admiration and envy. Life catches on with all of us, and the short people stay short, erect and unwavering…and then we just bend. Probably to all that conceit from earlier life. Poetic justice at best. Like big bouncy breasts that stand glorious in youth and stoop miserably low in old age. Do the smaller boobs apologize for their full mast upwardness despite the strokes of time? No. Voila la vie.
Today though, I found myself in a lighter mood. Lighter than usual. And why wouldn’t I be happier? I had this old man and the many residents who lived here to keep me in a lighter and reflective mood. The first thing I noticed when I got to this place was the ambiance. It smelt clean and had a good amount of hominess to it. The kind of homeyness that manifested itself with familiar smells. Smells that clung to one’s nostrils and remained no matter how far away one went. These were smells that stayed in the memory and heart. I doubt I was ever going to forget the smells that filled this place for a long time to come. While cinnamon filled my nostrils, I wondered how many stories were seated in the room. The seniors looked like perched and roosting chickens. I saw old age in different manifestations; some heartwarming, and some dreadfully sad. The common denominator though was the fact that there was some kind of ominous acknowledgment of the awaiting of death. I mean, what were a bunch of almost hundred-year-olds and in some cases more than a hundred year olds waiting for? Quite bluntly, they were waiting for it. Death the leveler. It was ominous yet some of them had wholeheartedly accepted that at some point, it would come. The oldest resident questioned why God still kept her around. Hers was the kind of wait that was not altogether ominous. At her age, the only defects she had were a bad vision and bad hearing. Glorious white hair, a straight back, and a high pitched voice. She was in better shape than others; she’d been blessed. In the land of blind people, the one-eyed man was truly king.
My professor looked me squarely in the face and said, you speak French, yet that isn’t enough, really, I think it’s time for a new language and I believe Portuguese would be a good fit for you.
Among many emotions to choose from, I felt nothing. I agreed totally with him; I had French as a second language….. and I’d had this conversation with myself before and had stayed tentatively between admiration and envy of people who spoke a third or forth international language. Though I’d imagined and hoped I’d take on another language, somehow there was a disconnect between my wish to do so and what I actually did in real life. Even as I continued to engage in wishful thinking, I never for once considered Portuguese. Portuguese for what?! My considerations were Mandarin Chinese or Spanish but most likely Spanish. Portuguese seemed a bit too steep and irrelevant and mostly unattainable.
On the first day of class, I was completely lost! I was so lost it was so funny: luckily I made out my name in the target language and kept my ears open for more information. The class was entirely in the target language and the professor was talking so fast. So much for teacher talk! Teacher talk is a technique used by language instructors as a buffer against falling back on the native language all the time. The biggest attributes of teacher talk are a slow pace of speech and using very basic vocabulary or cognates. Introspectively I thought about my French language students and how frustrated they likely got when I rushed through a lesson expecting them to know what I was talking about.
6am. I’m doing homework while questioning myself over this lofty decision. I should be ready by 8am so I can get to work in one piece but the truth is, once I get to work, there’s no way I can do personal stuff. It’s either I finish this homework or go to class once again feeling low and upset over not having done homework. I hate the feeling of irresponsibility that comes with not doing what I need to get done. At the same time, the feeling of accomplishment and confidence that comes with completing tasks is the kind of sentiment I’d rather have all the time. ‘Do something your future self would thank you for’… this thought stayed in my mind so I completed the homework and went off. It’s been a sleepy week already but at least I can rattle off some Portuguese verbs;
Acordar – to wake up (my favorite because it sounds like ‘ak)daa’ in Akan which means child)
Comidar – to eat
Chegar – to arrive
Ficar – to stay
Falar – to speak
Fazer – to do
Viajar – to travel
And I know how to conjugate these and a few more in both the present and past tense…isn’t God wonderful? 🙂
The Grammar 😐
Most regular portuguese verbs end with the letters AR . ER or IR this means that these verbs will have different and specific endings when they’re conjugated. Though different, a previous second language helps me envisage these differences and the need for some kind of technique for keeping these verbs and their different conjugations in mind. It gets overwhelming though, but then our brains are capable of so much more than we can imagine. Any person who grew up in Ghana would tell you about a time in their lives when they did some mad random guessing on a multiple choice answer test or exam of some kind; normally, the student in question would sing a made-up song while gingerly pointing at the various answers available. Once the song ended, the particular multiple choice answer the song ended on would be decided as the best answer. It was more like musical chairs, same analogy as sitting on the chair closest to you when the music stops. I used to do that a lot! Oh, my! A whole lot, because I was mostly clueless or too afraid to pick an answer and go with it; I relied on chance to take me through. Did it work? Well, sometimes it did. Other times I’d say the Hail Mary prayer while doing this and leave my choice at the one that my finger rested on once the prayer was done. Mary wouldn’t fail me though, would she?In all of this though, I learned to trust my memory. Afterall, I wasn’t as blank as I thought I was. I noticed that outside the random crazy guessing game, the one thing that happened was that whenever I concluded on an answer and came back to change it, the previous answer was the better one. This taught me to trust my memory ( and maybe instinct ) and choose unwaveringly.
The Post Colonial Perspective and Personal Musings
Doctor Negash would quote me, Franz Fanon;
‘The colonized intellectual, at the very moment he undertakes a work of art, fails to realize he is using techniques and a language borrowed from the occupier. He is content to cloak these instruments in a style that is meant to be national but which is strangely reminiscent of exoticism’
Sitting through postcolonial theory classes have made me feel weird about my foreign language pursuits. Or maybe I’d probably have to read Fanon well to fully understand the way I really feel about this. However, does my speaking foreign languages have anything to do with my loyalty to my heritage as an African? How well do I speak my African languages? I think I am as fluent in Fante as I am in French or English or as I will eventually be in Portuguese…but then, Fanon says again that ‘no innocent, shame-free cultural production is possible after colonialism; not even after decolonization‘…and that reminds me of the glaring links between Fante and Portuguese and to a larger extent Akan! Voltar is a verb in Portuguese that means to come back…does it have any link with our Lake Volta and our Volta Region? Bread in Fante is ‘Paano’, bread in Portuguese is ‘Pao’, shoes in Portuguese are called ‘Sapatos’ shoes in Fante are called ‘Asopartsee’, the word bucket in Portuguese is ‘balde’. In Fante, the same word is ‘bokitse’ never mind that the letter ‘d’ when reproduced phonetically in Portuguese is ‘dji’ so there is a huge possibility that the word has been adulterated to sound like what it is today in Fante language…. ‘no innocent, shame-free cultural production is possible after colonialism’…maybe the quotation haunts me….no innocent shame-free cultural production is possible after colonialism... and I still have questions;…..how authentic will my work be? Will it ever be possible to write my story or live without a trace no matter how small of colonialism? Indeed, the traces are everywhere, not just physically, case in point the Cape Coast castle where I literally grew up but even in the most abstract sense….. and now they occupy my linguistic dreams.
It is such an enlightening experience learning Portuguese not only for linguistic and cultural gains but also as a key to personal rediscovery of history. There’s no way some vocabulary words in the target language will escape me when I grew up hearing my grandmother tell me those same words no matter how adulterated in Fante.
I grew up with my grandmother who is such an entertaining old lady. She would not back down to an intimidating Christian song just because she did not know the lyrics. The solution was quite simple; either invent her own words or substitute words with sounds that she made . The problem though was that these sounds sounded more like the repetitive tooting of a klaxon and soon became my special indication that it was morning and time for school. Living with my grandmother was both intimate and educative. My identity as a Fante and a Ghanaian was molded and instilled in me right from infancy. I was taught the name of the moon and how to call God using a variation of Fante words such as Nana Nyame, Nyankopon, Ewuradze and Oky3so Nyame. I heard my grandmother pray loudly in the middle of the night and God’s Fante names were unavoidable and unmistakably present in our home. I learned them, it was impossible not to.
There were also those Sunday afternoons that met me sitting in the kitchen for hours on end making Palm nut soup with my grandmother. Making palm soup was annoying and one I do not miss in the least. It involved pounding the nut, removing the mixture of smashed fruit and kernel and chaff, squeezing them while separating the kernel all in water, passing everything through a colander, repeating, and doing all these cumbersome things until you obtained a thick orange liquid which we were going to spend another two or so hours boiling and observing…..and that was not it! No, no! After this ordeal, I still had all the dishes to deal with! Mind you, that was also no easy task since palm oil has abnormal adhesive qualities and will stick to every container! This meant that I needed to scrub the pot doggedly like my very life depended on it. Guess what, my grandmother’s eyes can spot oil stains as minuscule as a grain of dirt. Squeaky clean quickly became an understatement. #Mylife. I doubt my grandmother could relate to my pain. She did not obviously because we came back to this soul draining work almost every other week. Her simple and obstinate reason for sticking with this overrated delicacy was simple; that it was the best food for feeding the entire family over a long period of time. WHAT entire family? AND WHAT long period? Who wanted to spend an entire life time eating Palm nut soup?! I looked left and right, it was only her and me, there was no real huge family, it was just us, but unfortunately, she was right. The soup did feed us and for a long time! The thing about Palm soup is that the longer it ages, the better it gets; more like fine wine. So basically, a huge cauldron of soup could last us a whole week; lunch and dinner inclusive for seven days, sometimes more. Palm soup was not the only type of soup that lived up to its utilitarian claims; indeed, the palm tree itself is a three in one resource that can produce not only food but alcohol, brooms for cleaning the home, baskets and many more decorative and visually pleasing accents for the home. My childhood was loaded with cultural information that was either intentionally or unintentionally shared. In addition to knowing the home remedy for almost every kind of condition, I was seamlessly socialized to be the woman I am today. We grew spices and medicinal grass and plants we used ourselves. Knowing which one exactly to use to cure a slight malaise, which to eat for strength and which to use to achieve flavor in a steaming pot of stew. I grew up with a wealth of cultural information at my feet. I became the woman that did not imitate in an empty attempt to be Ghanaian, but the woman who knew the reason behind every reproduced cultural act. My children are going to inevitably learn from me too.
When it was time for me to go off to college, my grandmother convinced me to go to the University of Cape Coast. She wanted to see more of me and couldn’t stand the thought of my going away from her. I’d lived with her from birth till high school and now I was ready to move on. We parted with a promise of seeing each other whenever we could. I studied French at the University of Ghana and one of the most profound statements I came into contact with while learning this language is the fact that one cannot fully appreciate another ‘s language if they are oblivious of their very own. This thought stuck with me and after living in parts of Africa, Europe and now America, this thought has grown to become even more relevant in my life. In a society that is a melting pot of many different cultures, I realize more than ever that the oral traditions and folklore and pretty much all the cultural information my grandmother introduced me to help me understand that I am a product of a unique culture that forms the core of my being. I remain unfazed if someone utters some kind of vulgarity to me in English. A thousand Fuck you’s will meet an indifferent stare yet insult me in Fante and I will definitely be ready to fight back. My ex-boyfriend who was born in the United States speaks to me in Fante. Fante is the language of banter, familiarity, and intimate discussion. Casual conversations that begin in English make me fully aware of the possibility of a bad day that he’s had or that he’s in a state I prefer not to relate with. To this day, I pray in Fante to my God; Nana Nyame who I believe hears and understands me. I’d like to think that Nyame and Jesus are one and the same, and that Africans are not necessarily pagan but have an understanding and knowledge of God for themselves even though they may not necessarily express it the way the world deems fit.
My knowledge of my culture helps me appreciate and respect the unique differences and similarities that groups of people across the world have. I have over twenty international contacts in my phone and the only way I have been able to keep them that close is because I appreciate my culture and know better to respect theirs too. My grandmother’s telling and re-telling of stories to me forms who I am, a lover of the literary arts. For this reason, I grew up yearning for more stories and soon, my grandmother’s oral accounts led me to seek more in written accounts. I grew up reading Ama Ata Aidoo, Efua Sutherland and a lot of Ghanaian poetry by notable poets such as Kofi Awoonor. I also read some Nigerian literature and had a childhood surrounded by a line of books called the African Pacesetters series.
One of the ideas that drive me to contribute to the body of literature is; I believe that we all have stories to share. I recently read Yaa Gyasi’s novel, Homegoing and I was happy to find that this book which is written by a Ghanaian who lives in America reinforces most aspects of my culture and childhood. The book made me realize that I hadn’t eaten with my fingers in a very long time and for weeks I have been doing just that!
To conclude, I’d say that I believe we all have stories and I am driven to tell Ghanaian and African stories and let the world know more about my culture, pride, and world. No matter where I live, the strong sense of identity and self that was ingrained into me right from childhood is the point of departure and foundation I will use as an African in the world’s cultural basket to tell my own unique story.